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Tag: After Effects Ordering
Tutsplus - Producing Great Video (2012)
Tutsplus - Producing Great Video (2012)Project files inclMP4 | AVC 2749kbps | English | 1280x720 | 24fps | 2h 50mins | AAC stereo 192kbps | 3.52 GB | Genre: Video TrainingIn this course, the team at Hello Studios (Adam, Jake and Jonah) will take you through all the essential steps required to produce great video. Throughout 50+ easy to digest lessons you’ll learn about writing a script, developing your project, managing the production, using cameras, directing, shooting and lighting techniques, sound, editing and post-production. Examples are illustrated using a short film shot especially for this course: The Laptop Conspiracy.
fxphd - DOP210 - DSLR Cinematography
fxphd - DOP210 - DSLR CinematographyEnglish | AVC1 960x540 23.976 fps | AAC 48 Kbps 44.1 KHz | 3.52 GBGenre: eLearningEvery day more and more productions are exploring the use of high end DLSR for HD video. Stu Maschwitz rejoins the team and the guys in Tokyo to give the most comprehensive guide to the new phenomenon of DSLR cinematography.In this course we will cover:
Video2Brain - Kinetic Typography Techniques with After Effects
Video2Brain - Kinetic Typography Techniques with After EffectsMaster the Art of Animating Text to Voice and MusicDuration: 7h 17m | Video: AVC (.mp4) 1024×576 | Audio: AAC 44.1KHz MonoGenre: eLearning | Language: English | Level: Advanced | 1.54 GB_http://www.video2brain.com/en/products-175.htm Kinetic typography is an art form that combines text and motion to express ideas in the form of animation designed to accompany spoken word or music. In this unique workshop, art director, author, and motion graphic designer Angie Taylor shares her considerable knowledge of this form. You’ll work along with her as she builds a complete kinetic typography project from start to finish.
FZD School of Design - All Courses
FZD School of Design - All CoursesDigital Sketching, Concept Drawing and Painting Techniques All files included | 6.62 GBfzdschool.comPackage includes:  - DYNAMIC Sketching  - Concept Drawing  - Digital Painting
Adobe Press - After Effects CS5 Visual Effects and Compositing Studio Techniques PDF + DVD
Adobe Press - After Effects CS5 Visual Effects and Compositing Studio Techniques PDF + DVD PDF + DVD | Second EditionEnglish | PDF + DVD | H264 233 kbps 10 fps | 1152x648 | AAC Mono 44 KHz | 2.69 GBThis is the only book on the market to focus exclusively on the creation of visual effects for After Effects users, and is a one-stop resource for anyone who wants in-depth explanations that demystify the realm of visual effects and how they were created, thanks to veteran author Mark Christiansen's friendly and accessible style.
Video2brain - Video Production with Adobe Premiere Pro CS5.5 and After Effects CS5.5 - Learn by Video
Video2brain - Video Production with Adobe Premiere Pro CS5.5 and After Effects CS5.5 Learn by VideoEnglish | Duration: 8h 26m | H264 | 1024x576 | 15fps 276Kbps | AAC 44.1KHz 96Kbps | 814MB_ http://www.video2brain.com/en/products-110.htmThis course from expert editor and trainer Maxim Jago takes you on a journey from script to screen. Beginning with Adobe Story and moving on to Premiere Pro, Audition, Photoshop, After Effects, the Adobe Media Encoder, and Encore, you?ll follow a client brief to create a complete project, learning everything you need to know to produce media assets for broadcast and the web.
Digital Tutors – Getting Started with mocha for After Effects
Digital Tutors – Getting Started with mocha for After EffectsProject files incl | 370 MB_http://www.digitaltutors.com/11/training.php?pid=234In this series of lessons we will learn how to use the mocha for After Effects application to track objects and use that tracking data inside After Effects. mocha for After Effects is bundled with After Effects versions CS4 and later, so you might already have access to this powerful planer tracker.
CG Tuts+ - The Skateshop – A PFTrack, Maya & AE Workflow
CG Tuts+ - The Skateshop – A PFTrack, Maya & AE WorkflowEnglish | H264 428 Kbps | 1280 x 720 10 fps | AC3 53 Kbps  Work files incl | 1.44 GBThe Skateshop – A PFTrack, Maya & AE Workflow, Day 1 – Premium TutorialSet extension and/or CG integration with live action footage is a key aspect of Visual Effects work, and it’s our job as CG artists to ensure that we use a suitable workflow for the job at hand. In this detailed 3-day Premium tutorial series, Alvaro Castañeda shows us one possible workflow, moving from PFTrack for tracking, to Maya for modelling, texturing and rendering, and then compositing the result in Maya Composite, having used AE along the way! ‘The Skateshop’ is an unmissable tutorial for anyone looking to get into VFX. Can’t wait to get started? Become a Premium member, or learn more after the jump!
FXPHD - C4D202 + C4D203 - Cinema4D and After Effects in Production I + II
FXPHD - C4D202 + C4D203 - Cinema4D and After Effects in Production I + II 938 MB + 863 MB | work files incl
FxPhd - AFX213 - After Effects Broadcast Design with Red Giant - Jan 2011
FxPhd - AFX213 - After Effects Broadcast Design with Red Giant - Jan 2011English | AVC1 1152x720 | AAC 64 Kbps |Work files incl 1.72 GBGenre: eLearningWe're excited to have a new After Effects course lead by a familiar name in the motion graphics industry, designer Harry Frank. This practical, software-based course will focus on creating a professional broadcast graphics package from scratch. Harry has done numerous high-profile national broadcast packages over the year for networks such as NBC, ABC, Fox, and G4TV. One of the strengths of After Effects is its plug in architecture and offerings such as Trapcode Particular, Form, and Lux are workhorses of mograph artists. Over the ten weeks, After Effects will be at the center of the course in conjunction with these and other plug ins from Red Giant Software.Classes:
Gnomon School Of Visual Effects: Full Master Classes 2011
Gnomon School Of Visual Effects: Full Master Classes 2011H264 | 1024x576 | FLV | 24 fps 996 kbps | MP3 128 kbpsEnglish  | 10.11 GBEach Class can be downloaded separately12 Exclusive Online Classes Taught by Leading Professionals in the Visual Effects & Games Industries. Join us for two weeks of exclusive classes in an interactive, online event. Each 2-hour class focuses on a different element of the visual effects and games industries. Each class is offered online in a private forum, allowing you to participate in discussion with the instructor and other students. All instructional videos are HD and can be accessed any time during the event, as often as you'd like. This is a great opportunity to learn from the industry's masters and gain insight into their technique, thought process and workflow. Get a massive dose of inspiration, motivation and education while sharing the experience with peers from around the world.Contents:
fxphd - RED101 - Introduction to RED Workflow
fxphd - RED101 - Introduction to RED Workflow Proj files incl | 2.07 GBThis course is designed to give you everything you need to know to post a RED project. This course will not be on camera operation other than how it affects on set monitoring and workflow. The course will build from the basics of RED to the more advanced scripting and also cover briefly the new Scarlet camera and how it will fit into the Red landscape. All modules such as RedCine and Red Alert will be completely revised from previous courses, to accommodate the latest releases of that software. By Professor Mike Seymour.Classes:
Lynda.com - Creating Animated Characters in After Effects
Lynda.com - Creating Animated Characters in After Effects work files incl | release:9/8/2011 | 414 mbIn this course George Maestri introduces the tools needed to create and animate highly controllable characters using After Effects. The course covers how to design the characters in Photoshop or Illustrator, as well as draw them straight from After Effects; how to assemble characters with hierarchies; make realistic deformations with the Puppet tool; automate rigs with expressions; create realistic head turns; and show advanced techniques such as using null objects as bones. Finally, the course shows how to perform a basic animation with the character and ensure the rig works correctly. Exercise files are included with the course.Topics include:
Digital Tutors- Depth-Based Compositing in After Effects
Digital Tutors- Depth-Based Compositing in After EffectsProj files incl | 159 mbIn this series of lessons we'll learn how to combine depth maps to create correct layering between two renders. This allows us to split out scenes into multiple render layers while keeping the correct pixels on top.
The After Effects Illusionist: All the Effects in One Complete Guide
The After Effects Illusionist: All the Effects in One Complete GuideFocal | 2009 | Book + CD | 978-0240811451 | 613 mbBook is in PDF with all the exercise files.This book examines every native effect in After Effects. It will cover each effect in each category (e.g., Color Correction, Distort, Generate, and so on)...  There\'s also a few appendix-type chapters that cover more intermediate and advanced effects topics, such as using multiple effects, maps to control effect properties, and a brief glance at third-party effect solutions...
Digital Tutors : Creative Development: Visual Effects with 3ds Max and Pflow with Jacques Pena
Digital Tutors : Creative Development: Visual Effects with 3ds Max and Pflow with Jacques Pena2 hrs. 53 min. |Released on August 1, 2011 |Project Files Included | 813 MBRequired Software: 3ds Max 2011, Photoshop CS5, Illustrator CS5 and After Effects CS5Using Particles and Animation to create Special FXUsing Particle Flow alongside some basic animation principals, we are going to put together a scene from concept to finish. Dabbling into the some special effects using pflow fundamentals, forces, and operator overview. Then, we will put together all the elements into a scene.9 videos in this course:
Lynda.com - Adobe After Effects Project Workflow
Lynda.com - Adobe After Effects Project Workflowwork files incl | 758 mbUnderstanding how a post-production application like After Effects fits within a larger workflow can be valuable. After Effects Project Workflow shows how to integrate the various parts of the Adobe Production Premium suite and other applications with After Effects in a real-world project. Adobe Certified Instructor and Expert Chad Perkins explores this integration as he creates an interesting project, building with static images, animation, sound, particles, video effects, and 3D elements to produce an impressive final project. Chad explains the creative process from paper to final project, and shows all the steps in between. Exercise files accompany this course.Topics include:
Lynda.com - After Effects Apprentice 08 - Nesting and Precomposing
Lynda.com - After Effects Apprentice 08 - Nesting and Precomposingwork files incl | 1.76 GBIn this course, Chris and Trish Meyer share two of the core secrets required to become an efficient After Effects user: understanding the render order (the internal order of operations After Effects uses when calculating masks, effects, transformation, track mattes, and layer styles) and the use of multiple compositions where a composition may be nested into one or more other comps. This makes it easier to group layers, efficiently re-use a common element to quickly accommodate client changes, pan around large composites of multiple layers, and solve render order issues. Exercise files are included with the course.
VTC- Adobe After Effects CS5
VTC- Adobe After Effects CS5work files incl |  491mbAfter Effects CS5 is the latest version of an industry standard special effects application. With new features and tools like the Roto-Brush, Auto-Keyframe Mode, additional Adjustment Layers and more, you will be more productive and creative than ever before. Color correct, animate with the Puppet Tool, turn video into moving cartoons with the Cartoon Effect and more.
Gnomon Workshop - Mental Ray Production Practices
Gnomon Workshop - Mental Ray Production Practices1.63 GBIn this lecture, Matt Hartle will lead you through the steps necessary to produce a finished visual effects shot from conception to the final composited rendering. Along the way we will examine modeling, texturing, animation, lighting and rendering using Mental Ray. We will then composite the rendered layers in After Effects, using a 3D composition with a camera exported from Maya. By bringing in the camera from Maya we will be able to integrate photographed elements with our rendered elements to create a final composite. Render layers from our Maya scene will include beauty, ambient occlusion, particles, ground fog and color alpha among others.Topics Covered:
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